Joaquín Rodrigo – Composer – Cuatro Madrigales Amatorios – Music Sales Classical. [translations by John Glenn Paton]. Cuatro Madrigales Amatorios () [ anonymous]. Joaquin Rodrigo. ¿Con qué la lavaré? (–). Vos me matásteis. Joaquin Rodrigo: Cuatro Madrigales Amatorios (Medium Voice and Orchestra) [ Joaquin Rodrigo] on *FREE* shipping on qualifying offers.

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The specific requirements or preferences of your reviewing publisher, classroom teacher, institution or organization should be applied. Citations are based on reference standards. This wmatorios to a fascination with, and romanticization of, “peasant” music in the royal court.

Your list has reached the maximum number of items. Your Web browser is not enabled for JavaScript. This may seem to be at odds with the “popular” focus of art in maadrigales Golden Age – however, during this time it was a philosophy embraced as much by the upper class as much as it was by the Spanish citizens. Cancel Forgot your password?

The fourth madrigal, De donde venis, amore? Version originale pour voix et piano.

Cuatro madrigales amatorios : high voice and piano

Create lists, bibliographies and reviews: It was the elite’s fascination with romantic adversity which served to popularize such a broad musical movement, and gave birth to some of the time’s most exemplary art.


Spanish Cutro all editions and formats. It’s understandable that Rodrigo would strive to honor these works. This endorsement proved a great boon to the popularity of the villancico, which rose to prominence at this time as a polyphonic form which we hear today in many great madrigals.

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Linked Data More info about Linked Data. Nothing else in Rodrigo’s catalogue is more heavily influenced by folk music than his “Cuatro Madrigales Amatorios”. Home About Help Search. Reviews User-contributed reviews Add a review and share your thoughts with other readers. Don’t have an account? Rodrigo himself was heavily madrigalrs by the Spanish Civil War, a pivotal aspect of which was the struggle of the lower and middle class against the burguesia, or the elite.

In “Vos me matasteis” leftthe soloist performs a song of love which comes straight out of Spanish peasant culture, expressing heartbreak which the elite were madrigalea not overly familiar with. You may have already requested this item. Please verify that you are not a robot.

Joaquín Rodrigo – Cuatro madrigales amatorios ()

Advanced Search Find a Library. Please choose whether or not you want other users to be able to see on your profile that this library is a favorite of yours. Search WorldCat Find items in libraries near you. However, formatting rules can vary widely between applications and fields of interest or study. Composed inthis collection of four love songs is drawn almost entirely from 16th century vocal music.


Please re-enter recipient e-mail address es. All three of these were originally written by Miguel de Fuenllana.

The above performance showcases the tragic nature of the music. Themes of anguish and pain seemed to be characteristic of the Golden Age; in a time when arts and literature were flourishing, msdrigales became fashionable to share in the hardship experienced by the lower class.

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Cuatro Madrigales Amatorios (High Vocal Score)

Fuenllana modernized these songs by rewriting them for vihuela, while Rodrigo casts them in a more contemporary light by orchestrating them for an ensemble befitting the 20th century, with a full orchestra sound complete with strings and winds.

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